悭钱家族
杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪
杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪
张瑞芳,仲星火,张文蓉
本杰明·布拉特,克瑞丝塔·米勒,路易斯·费雷拉,瑞克·斯克路德,米卡尔·苏查内克,艾瑞克·麦柯马克,金大贤,Barry Flatman,Ted Whittall,Ted Atherton,安德鲁·布劳尔,Roman Podhora,维奥拉·戴维斯,安娜·高尔文,Jonathan Potts,Ava Salomon,艾米莉·霍尔姆斯,Fred Keating,Denise Galik,Kurt Max Runte,Cory Dagg,胡安·卡洛斯·韦利斯,艾德里安·霍姆斯,Nicola Anderson,保
乔什·杜哈明,杰里米·雷·泰勒,里克·霍夫曼,艾丹·吉伦,阿诺德·沃斯洛,尼尔·桑迪兰兹,布兰登·奥雷,Daniel Lasker,丹尼·戴·维利尔斯,卡尔·桑宁,Nathan Castle,Matthew Dylan Roberts,Ntlanhla Morgan Kutu,杜马尼·西福塞苏·姆蒂亚,Daniel Levi Thomas,Finnley Barnett,Francois Nel
本·布劳德,迈克尔·山克斯,阿曼达·泰平,克里斯托弗·加吉,克劳迪娅·布莱克,博·布里奇斯
大卫林奇
刘镇伟
彼得·格林纳威
吕克贝松
康佑硕
米开朗基罗·安东尼奥尼
弗朗西斯科波拉
胡柄榴
「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出来事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫画の舞台を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの恋人・メグミを岡田が演じる。
The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
影片聚焦杰克·萨利与奈蒂莉一家的命运起伏,在前作的情感余波之上,深刻描绘一个家族在战火中如何成长、并共同守护血脉相连的情感纽带的历程,从而将故事推向更具张力的全新维度。此外,潘多拉的全新领域也即将揭晓——观众将首次邂逅“风之商人”这个崇尚和平的全新游牧民族,他们乘坐独特的浮空生物飞船穿梭于各部落间,交易货物、传递信息。 而更具颠覆性的是“灰烬族”的登场,这个以掠夺为生、性情凶猛的族群,与大地之母爱娃之间有着深刻的矛盾。他们的出现,将撕开潘多拉不为人知的黑暗传说。当弑亲之仇与部落恩怨交织,潘多拉的命运悬于一线——在这场跨文明的复仇之战中,人类与纳威族将如何抉择,才能真正守护各自的家园与未来?
Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.
延续了印度英雄罗希的故事:罗希得到外星人所赋予的超能力与智慧后,邂逅了一位美丽女子并生下儿子克里许那。然而因为一场交通意外,克里许那失去了双亲,和祖母相依为命。 当克里许那长大成人后,他发现自己除了从父亲身上遗传了俊俏脸庞外,竟同时拥有超能力,而这种力量将会改变他的一生。一次偶遇,克里许那爱上从新加坡来的少女琵莉亚,其后琵莉亚回国,克里许那伤心不已,祖母便建议他到新加坡去追寻自己的真爱。 一晚,克里许那与琵莉亚去欣赏一个马戏团表演,却发生了大火,堵住了所有的出口,把观众和马戏团团员都困在帐棚里。绝望的观众在火场中只能期待渺茫的奇迹。此时,克里许那马上化身为奇魔侠并发挥了他强大的力量,拯救了所有在场的人。 经此一役,克里许那领悟到他强大力量的背后,背负着保护大众的宿命,而这个宿命的最终任务,就是对抗邪恶博士,阻止他控制世界的骇人计划……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在这部充满娱乐效果又富含教育意义的喜剧特辑中,凯文·哈特点出黑人历史中若干无名英雄的出色贡献
绫野刚,柴崎幸,龟梨和也,木村文乃,大仓孝二,迫田孝也,光石研,北村一辉,小林薰
洪金宝,元彪,樊梅生,韦白,陈琪琪,关德兴,钟发,林正英
梁家仁,林枫烨,楼南光,付赫安琪
清野菜名,濑户康史,见上爱,一之濑飒,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀内敬子,远山俊也,长野博,莉子,柏原收史,丸山礼
薇洛妮卡·恩切圭,托尼·塞尔维洛,卢卡·马里内利,瓦伦蒂娜·卡内卢缇